圍群 MONUMENT of APRON

The many-pocketed apron dress, 2008-2013

This is part of the shift from artist as singular producer to critical making as networked assemblage, as nodes in a longer process of composing.

paperbridgeee is an artist and professional dilettante who organises events ranging from performative tea parties to book shop order deliveries as co-conspirator of Display Distribute.

Notes taken while on residency with Amy Suo WU at Motel Spatie; Arnhem Presikhaaf 2020 January-February

原文來自於《馮火》月刊第76期，2019年5月。

This text was first published in the 76th issue of Fong Fo monthly, May 2019.

If affect now also moves as a series of interconnected nodes in a inextricably capitalist infrastructure, does the ‘romance’ of a hand-to-hand remain only a complicit minor, or is it also possible to ‘ethically’ lay (larger societal) effects aside, become more aware of unintentionally superimposing growth or impact expectations on things where value might rather be found in subjective-collective experience, and functioning as an experiment? Is it still possible to discuss experience?

紫金姨媽跑腿有限公司2015年在某家淘寶店提供跑腿服务，後因生意冷清被淘寶平台關閉。請繼續關注她們的APP版，即將重新跑！

In 2015, the Zijin Aunties ‘Running Leg’ Unit was briefly introduced via the online shopping platform Taobao before it was shut down due to inactivity. They might return in app form soon.

The many-pocketed apron dress, 2008-2013

Konbini apron

An apron for printing.

何穎雅2016年夏天的一個用忍耐力的人肉物流試驗。

A logistical endurance experiment by Elaine W. HO in the summer of 2016.

If affect now also moves as a series of interconnected nodes in a inextricably capitalist infrastructure, does the ‘romance’ of a hand-to-hand remain only a complicit minor, or is it also possible to ‘ethically’ lay (larger societal) effects aside, become more aware of unintentionally superimposing growth or impact expectations on things where value might rather be found in subjective-collective experience, and functioning as an experiment? Is it still possible to discuss experience?

在看尤伦斯的展览当中……

原文來自於《馮火》月刊第76期，2019年5月。

This text was first published in the 76th issue of Fong Fo monthly, May 2019.

Both money and time are  ⚖︎ ♥︎ ♒︎  „spent”  ☕︎ ☔︎ ✍︎ . To spend is the blossoming of the bouquet on its way towards death. Transactions „flower” and search for other values.

Crafter’s apron

From Migrants Pride 2018; Chater Road, Hong Kong, 17 November

展銷場的《目錄》導論，2017年，第4-11頁。

Editorial piece from Display Distribute’s 『CATALOGUE』, 2017, pp. 4-11.

Apron for aesthetics and survival

Kana shodo (translating as 'woman's hand') is a Japanese script parallel to 女書 nvshu but native to Japan.

F fashion is not only a kind of appearance or, an inner, popular may not be suitable for you, but according to their own characteristics to dress up yourself, you belong to that kind, mature, lady, or simple and natural, or pure, or movement, a fact that can all be fashionable.

“The Shanzhai Lyric” by Ming LIN and Alexandra TATARSKY originally published in The New Inquiry, 2015.

“Circulation is not a result of keeping the work moving but because we move with and against it.”

梁芝蘭《東西在循環》，原文由Open File 出版，2012年，英國，http://openfile.org.uk/archive/gil-leung-things-are-circulating/。