圍群 MONUMENT of APRON

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男女主義 significant Others

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This is part of the shift from artist as singular producer to critical making as networked assemblage, as nodes in a longer process of composing.

the hydro-femme returns (assemblage)
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Mama 媽媽
 

世上只有媽媽好  Mama is the best and only
有媽的孩子想塊寶  Only mother’s children are treated as treasure
投進媽媽的懷抱  In mother’s warm embrace
幸福享不了  Happiness is endless
世上只有媽媽好  Mama is the best and only
沒媽的孩子像根草  Children without mother are like weeds
沒有媽媽的懷抱  Without mother’s warm embrace
幸福享不了  Happiness is nowhere to be found

- “世上只有媽媽好” (“Mama is the best and only”), 1958

妈妈骂骂抹抹吗吗<br> Mamamamamamamama
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Notes taken while on residency with Amy Suo WU at Motel Spatie; Arnhem Presikhaaf 2020 January-February

Textual Notes  PWSSSRFS… (there are reasons to think about my body and hygiene these days)
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Starbucks honours histories of migrant female labour with cuddly bears. Interesting, or total BS?

Product courtesy of Stevphen SHUKAITIS

Bearista Bear的圍裙
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From Migrants Pride 2018; Chater Road, Hong Kong, 17 November

Migrant Pride block printing的圍裙
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Tech apron

性感賽博格的圍裙<br> sexy cyborg Naomi WU
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原載自《街坊小傳》2015,念剛在今天過世的Fred媽。
Originally published in Kaifong Stories (2015), republished on Medium.com with minor edits by LEE Chunfung to commemorate the passing of SZETO Siu-Mei (1935-2020).

司徒笑薇 <br>The Rose
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Kana shodo (translating as 'woman's hand') is a Japanese script parallel to 女書 nvshu but native to Japan.

「無效率的美感」<br>“The beauty of inefficiency“
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A notepad is collaboratively administered by Elaine W. Ho, Fotini Lazaridou-Hatzigoga and Isabelle Sully, hosted on the server of disroot.org.

On our mutual administrative labours
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Non-linear references in preparation for 『CATALOGUE』No. 3, a publication project by Display Distribute, co-edited with Kunci and Read-in and commissioned by Seoul Mediacity Biennale 2018.

首爾蘑菇筆記 Spore-adic Notes for Seoul
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Recorded on April 19th, 2017.

Professor Zhao, 女書 <br>NüShu researcher at Tsinghua University
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展銷場的《目錄》導論,2017年,第4-11頁。

Editorial piece from Display Distribute’s 『CATALOGUE』, 2017, pp. 4-11.

發行流通的美學:沿黑環而行<br> Aesthetics of Circulation: Along The Black Rim
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The South China Morning Post posted two unrelated articles in their China Society section on the 7th of June, 2017, both unusual tales […]

2017年6月7日的兩個女性勞動故事 <br>07 June 2017 stories on women
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“Tactics and Poetics of Invisibility” 

新女書 <br>New Nüshu
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Both money and time are  ⚖︎ ♥︎ ♒︎  „spent”  ☕︎ ☔︎ ✍︎ . To spend is the blossoming of the bouquet on its way towards death. Transactions „flower” and search for other values.

穿時間<br> wearing time, piercing time
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In a myth spun from the synthetic threads of the global supply chain, ZARA is a multi-headed hydra regurgitated from the dregs of fast fashion spectacle. Between the aporias of seamless production and logistical space she finds new positions from which to contest the neocolonial frontiers of substance and thought. 

ZARA (Ocean No Nothing)
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a RADIO the ACTIVE – SINK and the SWIM Eleonore Project 2016 Summer Residency

Operetta Radio, Variety Show and the with the FM Broadcast Audio Symposium and NetStreams ON Radio FRO (Linz) and Radio Helsinki (Graz)

3-5 August 2016, 00: 00-01: 30 nightly

鄭氏海盜電台 WIDOW RADIO CHING
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Grannies say: WATCH US RAGE!

Raging Grannies strive:

  • to be non-violent in all activities
  • to court the press
  • to shock with unladylike antics
  • to be independent of any other organization
  • to use street theater, humor, satire and props to get our message across: world peace, feminist values, social justice, and equal rights for all
『忿怒婆婆們』的圍裙<br> Raging Grannies’ apron
乜嘢鋪 We’re Open